In this Tutorial, We will Learn Hair Drawing. Hair is one of the essential parts when creating a character. After all, hair has a personality of its own! Drawing them precisely as we imagine them can be a real challenge.
However, there are many ways you can have it! The most important rule for me is to understand what I am drawing to avoid getting lost.
Structure and volume
First, I define the different locations of the hair on my character. I set benchmarks to help me see things more clearly. For example, drawing the line of hair allows me to know the direction of each section. Learn How to Draw spiderman Drawing easy for your kids.
As my drawing progresses, I think about the different possibilities available to me. In the end, this character will have straight hair reaching shoulder height. I don’t draw bangs. However, I won’t be part of the hair to cover the left eye and the tip of the hair to curl inward.
I start to draw baselines. I change my mind along the way, but this step gives me a clearer picture of what I want to do.
We must take into account that the head is a sphere. Otherwise, the final drawing may appear flat. That is a fairly common mistake. I’ll use a mesh to demonstrate what I just said.
Many artists simplify hair design by using basic shapes or anything else that helps them define volume and angles. They then gradually add details to these shapes. I recommend that you always use references taken from reality. Please take photos of hair of all styles and see the strands coming from and where they are going. You can also trace their outlines.
Some styles of drawing require more effort in the detail phase than others, but it is still necessary to consider the typical characteristics of the hair. Look at it this way:
• The hair is made up of several strands of individual hairs.
• Hair does not form a compact or cohesive shape. They are very light; character movement, wind, humidity, or anything around them can affect their appearance.
Here are some step-by-step examples:
• My first step is outlining the central wick (the one that will be the base of my drawing), following a direction forming an S. Then I fill the inside to create the silhouette.
• The small strands from step 3 follow a similar direction but are slightly more pronounced to add vibrancy to the shape. Posting station
Finally, I add other wicks whose direction is entirely different from the base wick to balance the composition and make it more attractive.
• The essential bit wraps around a cylindrical shape. I take care that the condition is not entirely straight. Otherwise, the bit will end up looking like spring!
• Then, I simplify the whole thing by drawing a ribbon. See how the shape thins as you approach the tip. The third step is to detail the outer and inner sides of the bit.
• I add texture while following the direction of the curves. I also draw some imperfections on the outline to make the result more realistic.
That method makes it possible to create exciting and complex silhouettes. These are the steps that guide me when retouching my character. I then add some necessary details while keeping a relatively simple approach.
I use the scale of values to define the details and give a 3D effect to the shapes. Choppy layers and overlapping strands make the hairstyle. If only the silhouette were visible, I wouldn’t be able to notice all of these details. So I need to apply a contrast between the different sections to highlight these shapes.
This detailed description of the process will allow you to understand better:
• I define the contour.
• In step 2, semitones can be in the corners; the lines follow a single direction to maintain the harmony of the form. The illuminated areas remain empty.
• In step 3, I apply darker shades to darken and deepen certain areas. For example, on overlapping layers, as indicated by arrows.
Being guided by your intuition when drawing light and shadow is not a bad thing. “Light in the drawing” is a vast and fascinating subject, but I’m afraid what I’m explaining here isn’t enough to cover it! So I recommend that you do your research on your own and practice as much as possible.
Hair types and textures
Textures create unique designs and enrich the illustrations. The number of possibilities available regarding hair textures may put you off, but instead of working exclusively with lines, don’t be afraid to try new tools! These will help you in your tasks and allow you to create incredible effects, both in the medium of digital and traditional art. It is always good to experiment to expand means that showcase the qualities of your style!
I don’t have a crucial answer for tool usage, but here’s a hint: imagine how different hair types feel! I’ve always thought short. Shaved hair looks like a rug! And when I draw them, I like to make them look prickly, sharp, and rough. For wavy hair, I think of the waves of the sea. The curves that get lost in each other. There is life, energy, and movement.
On the contrary, straight hair has serene, calm, simple, and even elegant lines. Curly hair is voluminous, difficult to control, and often difficult to style! Some adjectives I can think of are sweet, playful, explosive, or beautiful. Remember, textures save time and add complexity to shapes.
All of the approaches discussed in this lesson will help you create realistic-looking hair. If you want to push your limits, think outside the box! There is nothing wrong with ignoring gravity, exaggerating the volume of hairstyles, or creating hair made of fire! The chances are limitless, so let your creativity run rampant. I hope this article has been helpful to you. If you would like to see some of my works, take a look at my social networks and my portfolio: